| Works: | 27 works in 81 publications in 2 languages and 632 library holdings |
|---|---|
| Genres: | |
| Roles: | Performer, Instrumentalist, Contributor, Composer |
| Classifications: | M1630.18.K65, 782.42166 |
- Blufftitler Project Files In Audacity; Scooby Doo Sinhala Cartoon Song Free Download; Download Bios Toshiba Satellite L640; Tecdoc Download; Shaking The Habitual The Knife Rar File; Dreamboy Kpop Dating Sim Game Free Download.
- The Knife, a brother-sister duo from Switzerland have always been rather strange, rather unique. On “Shaking the Habitual,” the 100 minute, two-disc opus from 2013, the siblings go deeper, darker and to more dangerous places than they’ve ever been, which is saying a lot as theirs has never been lollipop and rainbow pop music to begin with.
Shaking The Habitual by Rabid Records published on 2013-04-01T23:17:06Z This April The Knife release their first studio album since Silent Shout seven years ago.
- Contemporary musicians : profiles of the people in music.( )
1 edition published in 2006 in English and held by 110 WorldCat member libraries worldwide
Their third album, but the first one released in the U.S., contains 11 tracks of gothic electro-pop. It contains songs like We Share Our Mother's Health and Marble House
1 edition published in 2013 in English and held by 92 WorldCat member libraries worldwide
The first release in seven years from Swedish electronic music duo The Knife. Includes the singles Full of Fire; and Tooth for an Eye
15 editions published between 2003 and 2013 in 3 languages and held by 81 WorldCat member libraries worldwide
Deep Cuts is the second studio album by Swedish electronic music duo The Knife, here on 180 gram vinyl
7 editions published in 2010 in English and No Linguistic content and held by 66 WorldCat member libraries worldwide
An opera based on Charles Darwin's 'On the Origin of Species.'
2 editions published in 2013 in English and held by 55 WorldCat member libraries worldwide
6 editions published between 2001 and 2006 in English and Undetermined and held by 23 WorldCat member libraries worldwide
Shaking The Habitual The Knife Rar File Pdf
8 editions published in 2013 in English and held by 22 WorldCat member libraries worldwide
In 2008, Danish theater experimentalists Hotel Pro Forma invited The Knife to write music and libretto for their modern opera, 'Tomorrow, In a Year'. The Knife, Swedish siblings Olof Dreijer and Karin Dreijer-Andersson (aka Fever Ray), created a studio version of this opera in collaboration with the English musician/singer Planningtorock and the American musician/singer Mt. Sims as creative family members. They engaged with the Danish mezzo soprano Kristina Wahlin Momme, the Danish actress Laerke Winther and the Swedish pop singer Jonathan Johanson for the vocal parts. These 90 minutes of music by The Knife and their collaborators Mt. Sims and Planningtorock are sparked by the pioneer of natural selection Charles Darwin and his revolutionary evolutionary findings and writings in his book On The Origin of The Species
8 editions published between 2006 and 2007 in 3 languages and held by 12 WorldCat member libraries worldwide
1 edition published in 2007 in English and held by 12 WorldCat member libraries worldwide
11 editions published between 2006 and 2007 in English and held by 10 WorldCat member libraries worldwide
Svenske The Knife betyr iskald, skummel klubbmusikk og mørk, mareritt-fremkallende elektronika. Søskenparet Karin og Olof Dreijer utgjør the Knife, som slo gjennom med plata 'Deep Cuts' i 2003
4 editions published in 2003 in English and Undetermined and held by 4 WorldCat member libraries worldwide
2 editions published in 2014 in English and held by 4 WorldCat member libraries worldwide
1 edition published in 1992 in English and held by 2 WorldCat member libraries worldwide
Student volunteer Laurie Masters stumbles onto a ghastly secert at Shadyside Hospital--a secret that the nurses and doctors are willing to kill to cover up
1 edition published in 2006 in English and held by 1 WorldCat member library worldwide
1 edition published in 2005 in English and held by 1 WorldCat member library worldwide
1 edition published in 2017 in English and held by 1 WorldCat member library worldwide
in Undetermined and held by 1 WorldCat member library worldwide
1 edition published in 2005 in English and held by 1 WorldCat member library worldwide
in Undetermined and held by 1 WorldCat member library worldwide
in Undetermined and held by 1 WorldCat member library worldwide
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| Kids | General | Special |
Shaking The Habitual The Knife Rar File Extractor
Apart from those readers who have been in comas over the past month or so, we’re guessing that most of the XLR8R faithful are well aware that The Knife will soon be releasing a new album, Shaking the Habitual, via Mute. The long-awaited follow-up to 2006’s Silent Shout, the duo’s new full-length won’t actually be released until April 9, but it’s already been at the center of a veritable media firestorm; for the past six weeks, the Pitchforks of the world have been leading a TMZ-style coverage overkill, while fans and journalists (ourselves included) have anxiously devoured every piece of Knife-related information that’s come down the pipeline. At this point, we’ve only heard the first single, “Full of Fire,” yet it’s hard to shake the notion that we already know the album on an intimate level. Perhaps that’s why we felt comfortable putting together a list of the best and worst things about the LP; given the music world’s collective frenzy over the forthcoming record, actually hearing the music almost feels secondary.
BEST: The Knife has a new album coming out. Hooray.
Shaking the Habitual will be The Knife’s first official new album since 2006. Folks are going apeshit. Yes, sister-brother duo Karin Dreijer Andersson and Olof Dreijer have since pursued successful solo projects (he as darkly catchy technoist Oni Ayhun, she as alien spellbinder Fever Ray) and one collaborative eye-roller (see below), but fans have been rabid for the return of the idiosyncratic, eerily poppy Knife for many internet moons.
WORST: Jose Gonzalez probably won’t cover any Shaking the Habitual tracks, but Nicki Minaj might.
Gonzalez’s version of “Heartbeats” from Deep Cuts brought both the Swedish-Argentinian singer and The Knife to global attention. But now that dark, pulsing, avant-garde beats are the pop-rap norm, we’re afraid Nicki will cannily update trap with a goth spin and snatch one of the tracks for herself. One the plus side, the thought of The Knife banging from a tinted-window sideshow sounds just about right.
BEST: Shaking the Habitual is not an impenetrable, 92-minute opera about Charles Darwin (or something).
This is electronic music, where we celebrate ambition and difficulty—downright pretension, even. Sure, The Knife deserves major plaudits for going gargantuan in tribute to Origin of the Species with 2010’s Tomorrow, In a Year collab with Planningtorock and Mt. Sims. (We’re not kidding, that really happened.) However… we’re incredibly glad the group did not elect to repeat itself and stab our ears out with more modulated bird noises and incessant noodling.
WORST: The word “epic” will be thrown around a lot.
Shaking the Habitual may not be a 92-minute, impenetrable opera about Charles Darwin or something, but it is 98 minutes long, with 12 tracks ranging in length from 37 seconds to almost 20 minutes. And already the “e” word is popping up in lazy blog post headlines everywhere. There is no escaping it. Everything longer than an animated GIF is epic on the internet. This album is EPIC.
BEST: All that wonderful Knife weirdness appears to be intact.
Freaks rejoice. There are references in the tracklist to Margaret Atwood’s dystopian 2003 novel Oryx and Crake, a decided scrambling of sexual and political identity in the lyrics of first leaked track “Full of Fire,” some comfortably creepy shenanigans in director Marit Östberg’s 10-minute video for the track, not to mention another gender-ambiguous album teaser video. In short, all signs point to a nice but boundary-pushing return to the siblings’ beloved eccentricity.
WORST: The Knife started everything!
From witch house and seapunk to hashtag rap and Tumblr pop, it’s a virtual certainty that disparate musical subcultures will soon start claiming The Knife as mother and father to it all. It would not surprise us to find Frank Ocean claiming them as an influence, right before Deadmau5 disses them for the lulz.
BEST: A world tour will surely follow.
It’s onstage that Karin and Olof truly distinguished themselves from the other progenitors of leftfield electronic sounds, with techno-horror projections, Gaga-foreseeing outfits, quirky-nightmare sets, and lots and lots of fog. A handful of European dates have already been announced.
WORST: That world tour is probably already sold out.
Even before any of the dates are announced, or even planned, the slobbery-fan vultures of Ticketmaster are poised in some queue already, their sweaty palms gripping their mice, anxiously awaiting the first stirrings of any ticket release. You are going to have to pry those golden tickets from the cold, dead hands of some middle-aged electronica fan before you see one glimpse of Karin’s prosthetically melted face. Sorry. 🙁
BEST: Your edgier gay friends will be bumping this madly.
The jittery electro and avant-goth vibes of Silent Shout and Fever Ray cannily appealed to a large swath of gay men in the later ’00s who wished to appear sophisticated while reconnecting with their Depeche Mode electro-pop roots and jerky dance moves. That guy with the expensive second-hand jeans upstairs, your local dive bartender—hell, even your own boyfriend—will ensure you’ll never have to buy this album to hear it on repeat.
WORST: Your edgier gay friends will be bumping this madly.
You may end up begging them to put some Little Dragon back on for relief.